02
The Call-Out
Somebody in this building reported a fire. He's had a good look around, and he's fairly certain it's you.
The acts
The uniform is never the point.
The point is the ten seconds after I walk in, when nobody is breathing, because everybody is hoping it's them.
15 seconds
What the job actually is.
Read it instead
“That uniform gets me through the door. It’s never really the point. The point is what happens next — I walk in, I take my time, and every person in that room is thinking the same thing. Please let it be me. And then I choose.”
01 — the signature
The Cop
"I've had a report of something happening in this room, and I'm afraid I'm going to need a name."
What happens
He comes in from the back, not the stage — badge, vest, torch, and an entirely straight face. He works the room like it's an actual investigation. Everybody gets questioned. Everybody gets a look.
And then he stops. At one table, in front of one person, and the whole room turns around to see who it is. For the next four minutes she is the only person in the building, and she knows it, and so does everybody else.
It's the one that gets requested by name, and it's the one nobody sits still through.
What happens
Slower than the cop, and warmer. Less interrogation, more rescue. The turnout coat, the hose, the completely unnecessary safety briefing delivered directly to one person.
This is the one to pick when the group is a bit shy, or when the guest of honour would rather be looked after than put on the spot.
03
The Chair
One chair, centre stage, and a whole arena watching one person.
What happens
The one from the tour. She gets walked up from the floor, sat down, and for four minutes several thousand people disappear. Most people say afterwards that they don't remember the room at all — only that he didn't look away once.
You can't request it. He picks. That's rather the whole idea.
From the floor
When you're the one he picks.
What it actually feels like when the room goes quiet and he's standing right in front of you.
Worth saying plainly
What he doesn't do.
Nobody in this industry publishes this, which is exactly why it's here. You should know what you're getting before you book it, and so should everyone you've invited.
33 seconds
What he won't do, said plainly.
- Private shows and one-on-one performances are strictly entertainment — no escort services or arrangements beyond the act
- No blurred lines after the music stops — the encounter begins and ends with the performance
- Physical respect goes both ways — you're in safe hands, and the same respect is expected from the room
- What he asks in return: put phones away for the best parts, bring good energy, and let yourself enjoy the night
And if you'd rather he came to you
BRING HIM
TO YOU
Private bookings worldwide, from $500. Priced plainly, travel quoted up front.
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